Don't call me comrade

A silhouette in a tutu awaits her audience, ready to dance for them what she has been preparing for a long time: a solo of Swan Lake. Ready to give her all. Step by step, she shares: a detail, a family anecdote, a piece of history, or a definition that seem essential to her for the understanding of her work. In her first creation, Yentl Rousseau-Piot, a Belgian-Hungarian artist, traces the history of communism in Eastern Europe and questions the impact it has had on future generations. DON'T CALL ME COMRADE explores questions of identity and political intimacy with humor, tenderness, and a lot of generosity.