In the hope of spending a convivial moment, Léa organizes a dinner between friends. Thomas, her depressed companion, has not frequented his office for several months. At first glance, the idea of welcoming his colleague Antoine, his wife Marie, and a third companion, Sami, is rather joyful. But when Thomas makes an announcement as terrible as it is incongruous, the dinner takes on frightening proportions... With humor and ferocity, On est sauvage comme on peut probes human solitudes and detects, behind the conventions and the unspoken, an immense appetite for life. Why do we sometimes feel so isolated in the middle of other guests? What is at stake, beyond the apparent normality of the words exchanged? What unbearable subtexts, what power relations, what contained violence? In this tragicomedy, the actors exacerbate, with vitality and agility, the dynamics at work in social relations. From realism to the absurd, they dislodge the frightening banality of life. What if acts of madness were attempts to become the heroes and heroines of our own lives? As part of a retrospective for the ten years of the Collectif Greta Koetz, the Théâtre Les Tanneurs programs from April 7 to 10 Le mal du hérisson, and the Varia, On est sauvage comme on peut, their first creation. How has current society seized upon issues present in the narrative? We are delighted at the idea of welcoming the recreation of this youth show, as free as it is powerful, and of discovering its new resonances. Retrospective presented with the Théâtre Les Tanneurs.