Jennifer Torrence

Jennifer Torrence brings together material developed over several years, built on sounds that emerge from “physical movements and principles of movement.” In a one-woman “dance-band” setup, she performs with a playful set of “quite naive instruments” — including whirly tubes, Orff marimba, fidget spinners, hand bells, foot-operated melodicas, and pendulum microphones attached to a cymbal — also used in Øyvind Torvund’s Symphony for Kunstnernes Hus, presented on Friday at Tectonics. Here, movement becomes sound, and sound feeds back into movement.