William Boeva has a problem.
He is now so well-known that he is approached always and everywhere.
But he remains friendly. Always has a joke ready.
That fame makes a lot possible — and at the same time, it clashes with a bitter realization: what sometimes goes naturally for him remains a struggle for many people with a disability. And that weighs. What if those doors close for him again tomorrow?
William feels the pressure to keep pleasing and to keep everyone happy.
And if he doubts for a moment, he thinks: “What would Jesus do?”
But in the meantime, something else is bubbling up. Something that is in everyone: drive. The desire to let go of the brakes. To experience everything he had to miss in his younger years. But is he no longer a good person then?
In DRIFT, William figures it out: what do you do with your drives? When are you a good person? When are you allowed to make mistakes? And when are you allowed to just... be human?
Is there still a manual, or do we have to rewrite it together?
Honest, relatable, and above all incredibly funny. You come to watch an apparently perfect performance... until William decides that perfection is primarily an illusion.