Photo credit: © Lara Herbinia
Un rough diamond shaped like an uppercut. Emilie Eechaute literally explodes in this role which she seizes with passion, skill, and bite. – La Libre
Résumé
Je know why it makes them crazy. Because I behaved like most guys. I fucked when I wanted, who I wanted, I left right away after, I chose without waiting to be chosen.
For the group, she is one. A good one. A real one. A big one. A hell of a one...
That's what they say in the comments that make her phone ring repeatedly, between insults and killer emojis. But she chooses to see, touch, hear, taste. Without yielding to the pressure and judgment of the pack. She plays by her own rules. Alone? Maybe not...
Queen Kong is an incisive and dazzling text carried by a heroine who dinamites the codes and decides to follow at all costs this desire for freedom that beats within her. Whatever the price to pay...
Adapted for its creation at Poche by Georges Lini (Iphigenia in Aulis, La Soeur de Jesus-Christ...), Queen Kong is THE novel acclaimed by young readers upon its release in 2021. It speaks without taboos about sexuality, desire, and fantasy.
Practical information
Théâtre
Mardi November 24, 2026 at 8:00 PM
Duration: 1h05
From 15 years old
Distribution
Ecrit by Hélène Vignal
Mise staging Georges Lini
Avec Emilie Eechaute
Scénographie Olivier Wiame
Eclairages Jérôme Dejean assisted by Candice Hansel
Regard artistic Sébastien Fernandez
Direction musical and composition François Sauveur
Création sound and composition Pierre Constant
Musicien and composer Jérôme Colleyn
Publié published by Thierry Magnier, coll. L’Ardeur, 2021. A co-production of Théâtre de Poche and Compagnie Belle de Nuit.