Lasse Vonck has been proclaimed and acclaimed as a prodigy by press and public as a young artist.
Thirty years later, that is no longer the case.
That people have forgotten him over the years, he finds a bearable fate, but he is lost, he is looking for a goal, meaning. On a lusterless spring day, Lasse is so alienated from himself upon waking that he no longer really knows who he is. He cannot even speak anymore. Confession is inspired by the timeless and weatherless story De Gedaanteverwisseling van Franz Kafka. It sketches a portrait of the human as silent protest. I really have nothing with cars
but I had a strange dream
has kept me busy for a long time
it is about a
-how do you say that-
a family car I am nine years old
and my mother and I are looking out the window
We see a strongly muscular man in a tank top
who one by one
all four tires
of the white Citroën BX
of my father is dismantling
afterwards he takes out a sledgehammer
and smashes all windows into smithereens
cheerfully tears all seats
-front and back-
into shreds
rips out the car radio
breaks off the side mirrors
pulls out the steering wheel
and my mother watches it
and she does nothing
and I run outside the man in his tank top has -poof- disappeared and I want to shout
I want to scream
but I can't do it
I can't do it again
stand up for myself
why is that so difficult and I look at what remains of the Citroën I see the spot where I always sat
when we left on vacation
In the middle of the back seat
a bit to the front
between my father and my mother
elbows on the side of their chairs
and I get to choose the cassette to put in the car radio ‘dear little piranha
tear me apart’ Confession is a new theater text by Raven Ruëll, written for and performed by Bruno Vanden Broecke. Both have been making performances together for 25 years, including Missie (2007), Para (2016) and Klink (2023). Text and direction: Raven Ruëll
Spel: Bruno Vanden Broecke
Techniek: Gert Van Hyfte
Foto: Fred Debrock
Productie: De Speelman
Spreiding: Jimmie Dimmick