Drift

William Boeva has a problem. He is so well-known by now that he is addressed always and everywhere. But he remains friendly. Always a joke ready. That fame makes a lot possible — and at the same time, that clashes with a bitter realization: what sometimes goes automatically for him, remains a fight for many people with a disability. And that weighs. What if those doors close for him tomorrow too? William feels the pressure to keep pleasing and to make it to everyone's liking. And if he doubts for a moment, he thinks: ‘What would Jesus do?’ But meanwhile, something else is bubbling up too. Something that is in everyone: drive. The urge to let go of the brakes. To experience everything he had to miss in his young years. But is he then no longer a good person? In DRIFT William figures it out: what do you do with your drives? When are you a good person? When are you allowed to make mistakes? And when are you allowed to just… be human? Is there still a manual, or do we have to rewrite it together? Honest, recognizable, and above all incredibly funny. You come to watch a seemingly perfect performance… until William decides that perfection is mainly an illusion.