Flemish Chamber Philharmonic

In the context of the Beethoven year, the Flemish Chamber Philharmonic, led by Pascale Van Os, presents a program in which the music of Ludwig van Beethoven is central. The overture from 'Le nozze di Figaro' is a sparkling explosion of energy. Without standing still for a moment, Mozart immediately sets the tone: light, nervous, effervescent, and full of anticipation. In rapid movement, a musical game of tension and elegance unfolds. No themes from the opera itself, but the atmosphere: mischievous, sharp-witted, and lively. In a few minutes, Mozart opens the door to a world of intrigue and comic complications, irresistible and timeless. Next follows Beethovens Pianoconcerto No. 3 in C minor, op. 37. In this work, Beethoven still aligns with the classical tradition, but at the same time, his own, more powerful idiom already sounds through. The concerto demands both technical mastery and musical insight from the soloist. The solo part is performed by the young pianist Bill Dewispelaere, winner of the Cantabile competition for piano. After the break, the Zevende Symfonie in A major, op. 92 sounds. This symphony is known for its pronounced rhythmic character and clear structure. With his Seventh Symphony, Ludwig van Beethoven shows himself at the peak of his rhythmic imagination. This is music that wants to move forward, that pulses and effervesces with energy. From the solemn introduction to the exuberant finale, everything is carried by an irresistible urge for movement. The famous Allegretto forms the subdued heart of the symphony: simple, poignant, and timeless. Around it unfolds a work full of contrast, tension, and vitality. It is not for nothing that Wagner called this symphony the apotheosis of the dance.