William Boeva has a problem.
He is now so well-known that he is approached always and everywhere.
But he remains friendly. Always a joke ready.
That fame makes a lot possible — and at the same time, it clashes with a bitter realization: what sometimes goes automatically for him remains a fight for many people with a disability. And that weighs. What if those doors close for him again tomorrow?
William feels the pressure to keep pleasing and to keep everyone happy.
And if he doubts for a moment, he thinks: “What would Jesus do?”
But meanwhile, something else is bubbling. Something that is in everyone: drive. The desire to throw off the brakes. To experience everything he had to miss in his younger years. But is he then no longer a good person?
In DRIFT, William finds out: what do you do with your drives? When are you a good person? When are you allowed to make mistakes? And when are you allowed to just… be human?
Is there still a manual, or do we have to rewrite it together?
Honest, recognizable, and above all incredibly funny. You come to watch an apparently perfect performance… until William decides that perfection is primarily an illusion.