Pelleas&Melisande&Pelleas, Frank Focketyn & Rashif El Kaoul

Dimitri Leue ventures with great pleasure into the courtly art of seduction of Maurice Maeterlinck and pushes Frank Focketyn and Rashif El Kaoui into the harness of love. The courtiers, Pelléas and Golaud, search in a forest fruitlessly for the beautiful Melisande and only find each other in a superlative degree of love. They circle around each other like rutting deer and treat the audience to a range of feelings. Is there a greater fool than one in love? \"Is it not too dark under this tree? Here we cannot see how happy we are.\" Two master actors tumble light-footedly through this courtly love story, in which threat is also never far away. Pelleas: You are never going to see me again. Melisande: I will always see you. I will always look out for you. Pelleas: I will be so far that you can never see me again. Melisande: For a very short while I was your world. What am I now? When Toen Maurice Maeterlinck won the Nobel Prize for Literature in 1911, the jury mentioned that it was mainly for his plays. “Characterized by an abundance of imagination and poetic refinement.” Dimitri Leue retranslated the text of the Ghent native from French. The romantic sighing and the repetitive flirting with danger sound even sharper in Dutch. \"I am not touching you. Maybe a little bit with my eyes. But my fingers are not watching along.\" Pelleas&Melisande is such a wonderful fairy tale for adults about a forbidden love relationship, jealousy, and melancholy. The text inspired quite a few composers: Debussy, Schönberg, Sibelius, and Fauré set this symbolist play to music. Antoon Offeciers adapts the music of Debussy and gives it a jazzy sound and feel. The music is brought live by Antoon, Tim Vandenbergh, and Karel De Backer. Costumes are stitched together with silk thread by Lynn Wauters. Golaud: I am looking at your eyes. Do you sometimes close them? Melisande: Usually at night.