Lasse Vonck was proclaimed a prodigy and acclaimed by press and public as a young artist. Thirty years later, that is no longer the case. That people have forgotten him over the years, he finds a bearable fate, but he is lost; he is looking for a goal, meaning. On a spring day without luster, Lasse is so alienated from himself upon waking that he no longer really knows who he is. He can't even speak anymore.
I really have nothing with cars
but I had a strange dream
has kept me busy for a long time
it's about a
- how do you say that -
a family car
I am nine years old
and my mother and I are looking out the window
We see a strongly muscular man in a tank top
who one by one
all four tires
of the white Citroën BX
of my father dismantles
then he takes out a sledgehammer
and smashes all the windows into smithereens
happily tears all the seats
- front and back -
into shreds
rips out the car radio
breaks off the side mirrors
pulls out the steering wheel
and my mother watches it
and she does nothing
and I run outside
the man in his tank top is - poof - dissolved
and I want to shout
I want to scream
but I can't do it
I can't do it again
stand up for myself
why is that so difficult
and I look at what remains of the Citroën
I see the spot where I always sat
when we left for vacation
In the middle of the back seat
just a bit to the front
between my father and my mother
elbows on the side of their chairs
and I get to choose the cassette to put in the car radio
'sweet little piranha
tear me apart'
Confession is inspired by the timeless and unrivaled story De Gedaanteverwisseling van Franz Kafka. It sketches a portrait of the human as silent protest. It is a new theater text by Raven Ruell, written for and played by Bruno Vanden Broecke. Both have been making performances together for 25 years, including Missie (2007), Para (2016), and Klink (2023).