William Boeva has a problem.
He is now so well-known that he is approached anytime and anywhere. But he remains friendly. Always ready with a joke. That fame makes many things possible — and at the same time, it clashes with a bitter realization: what sometimes comes naturally to him remains a struggle for many people with a disability. And that weighs on him.
What if those doors close for him again tomorrow?
William feels the pressure to keep pleasing and to keep everyone happy. And when he has a moment of doubt, he thinks: “What would Jesus do?”
But in the meantime, something else is bubbling up, too. Something that is in everyone: urge. The desire to let go of the brakes. To experience everything he had to miss in his younger years. But does that mean he is no longer a good person?
In DRIFT, William figures it out: what do you do with your urges? When are you a good person? When are you allowed to make mistakes? And when are you allowed to just… be human?
Is there still a manual, or do we have to rewrite it together?
Honest, relatable, and above all, incredibly funny. You come to watch a seemingly perfect performance… until William decides that perfection is mostly an illusion.