Photography is a formidable tool thanks to which it is possible for us to fix fragments of reality. It allows us to testify and elaborate a language, a writing, via the light placed on the state and the substance of the world, of time.
To photograph is to take a position in a space, an era, a determined moment of human, social, cultural, or even natural history.
The photographic act must be an engagement within which the elements of tangible reality and the scattered fragments of our memory come to life: it is an invitation to draw from the immensity of the sensible world, to experiment with reality, to feel it, to give it form, and to think it.