In La Grazia returns Paolo Sorrentino to the existential and political terrain that characterizes his work. Met Toni Servillo as Italian president at the end of his term of office, a subdued and poignant portrait of power, doubt, and farewell arises. Terwijl Mariano De Santis bends over far-reaching decisions, uncertainty grows. Is he still acting out of conviction or out of concern for his legacy? In the shadow of personal loss, the boundary between the man and the office blurs. With a sober, melancholic tone, La Grazia sketches a grand image of the loneliness of leadership, stylish, contemplative, and deeply human.