Lines of fracture

Transcending generations, a quartet of women explores the intersections of dance and visual art. Inspired by the logograms of Christian Dotremont or the graffiti that cover the walls of our cities, Michèle Noiret revisits the body and the trace. So many proposals for inventing choreographic scores based on existing traces. The dance/cinema that Michèle Noiret has forged is found here, without a camera, in the blur of reality-fiction, temporal overlaps, and deliberately troubled perception. On stage they will be four, of various ages. Between them, a network of questions borrowed from Siri Hustvedt in Vivre Penser Regarder, on human interaction, memory, and imagination. Within them, intimate monologues. Through them, a rush into the norms that have conditioned the becoming of women, have long erased them from history, and continue to weaken their achievements. Always nourished by literature, cinema, and the visual arts, guided by her intuition toward unprecedented landscapes, the choreographer completes more than forty years of creation with Lignes de fracture. A journey where, tirelessly, together, step by step, "what was still unknown to us the day before" was invented.