De Bachjes: could have been a reality series, but luckily it is a February-fresh recital by Tamara Stefanovich
Ze is always to be caught for a portion of contemporary, Tamara Stefanovich. But under that husk hides the white core that adores Bach. During her second passage in De Bijloke, she lets father Johann Sebastian jam with sons Carl Philipp Emanuel and Johann Christian. From ‘Partita’ to ‘Contrapunctus’ via ‘Aria’ and ‘Sonata’, Stefanovich leaves tradition for what it is and slides her own lens over the glorious scores. Put away the woolen socks: these early music icons frolic around on high-tech sneakers.