Fatma Said, one of the greatest sopranos of the moment, travels from Schubert and Brahms via Arabic melodies to Gainsbourg and back again
Sopraan Fatma Said and harpist Anneleen Lenaerts let the song travel freely. Schubert and Brahms form the starting point, but along the way we explore other horizons: Arabic melodies by Hankash and Dawoud, an unexpected stop at Gainsbourg. While voice and harp blend into a sound that is simultaneously intimate and vast, traditions and styles blur into the ultimate tie-dye: a tangle of colors in which you hear what you want to hear yourself.