Killer Thriller

Na de Eerste Wereldoorlog the murder story became insanely popular, with grotesque murder plots, cut telephone lines, secret passages, closed rooms, know-it-all baronesses, agile butlers, opinionated detectives, and the words “someone in this room did it”. In Killer Thriller the music-theatrical poison arrows focus on the whodunit and you experience not one, but several murder mysteries simultaneously. A film screening is brutally disrupted, someone goes missing at sea, characters fall dead and stand up again in another story, plot lines hook into each other. Lies, corpses, and songs pile up. Why does someone always have to die to have a good story? What is so sexy about a murder mystery? To what music are you best murdered? And above all: who did it? Brace yourself for an excess of crime. Less is murder! Killer Thriller plays in a large warehouse with two stands, from which side do you watch the murders?