William Boeva has a problem.
In the meantime, he is so well known that people approach him anytime and anywhere.
But he remains friendly. Always ready with a joke.
That fame makes a lot possible — and at the same time it clashes with a bitter realization: what sometimes comes naturally to him remains a struggle for many people with a disability. And that weighs heavily. What if those doors close for him again tomorrow too?
William feels the pressure to keep pleasing and to keep everyone happy.
And when he doubts for a moment, he thinks: “What would Jesus do?”
But in the meantime, something else is also bubbling up. Something that is inside everyone: the urge. The desire to let go of the brakes. To experience everything he had to miss in his youth. But does that mean he is no longer a good person?
In DRIFT, William figures it out: what do you do with your urges? When are you a good person? When are you allowed to make mistakes? And when are you just allowed to be… human for a moment?
Is there still a manual, or do we have to rewrite it together?
Honest, relatable, and above all, incredibly funny. You come to watch a seemingly perfect performance… until William decides that perfection is mostly an illusion.