100 years ago. It is 1919. Finally. De Grote Oorlog is over. A small, crooked woman stands on an overturned crate on the Potsdamerplatz in Berlin. Rosa Luxemburg speaks. Everyone stops and listens. She is a woman, an immigrant, Jewish, and she walks with a limp. But everyone listens. She speaks of hope, democracy, peace, and a fair society. She curses and she grumbles: at war-seekers, at injustice, at the men in power. She writes books full of letters and pamphlets, signed: Rosa. A few weeks later, Rosa's lifeless body hits the water of the Landwehr Canal. A bullet in her temple: turning point of modern history. A floating pianist, a singer, an actress, and a mysterious women's choir bring her life story from that bridge above the Landwehr Canal, where it ended. With Rosa's own words and with the tension of a detective story. A performance about indestructible women, about ideals, about making choices and taking the consequences, about turbulent times full of possibilities, and about dreaming of a better world. With swinging but also alienating and haunting songs full of fierce words.