Après Laika where the narrator tells what he saw and Pueblo where he tells what he imagines, Rumba closes the trilogy of poor devils depicted by the resistant and poetic verb of Celestini and the intensity of the acting of David Murgia. This time, he goes down to the parking lot with Pierre and his accordion. The story takes place on Christmas night, under a starry sky. The stories bring out the silhouettes of the precarious people we persist in not wanting to see, while a contemporary version of the story of Saint Francis of Assisi is drawn in filigree… Who would he cross today in a supermarket parking lot?